Join us for our 2026 season!

Join us for our 2026 season!

We are pleased to announce that registration for Shakespeare Youth Festival LA ’25 is now open. We are tentatively announcing two plays, however, we reserve the right to change our selection, or add a new section/play to best suit the needs of our students.

If this will be your first time participating in an SYF program, please email us at speak@shakespeareyouthfestival.com to schedule an introductory meeting (phone/Zoom).

All rehearsals will be held at World City Center (3911 W Adams Blvd – just east of Crenshaw). Performances are tentatively scheduled at the Hudson Theatre (6539 Santa Monica Blvd).

Tuition for each participant is $750
Finances should never be a barrier to participation – we encourage you to apply for Financial Aid. If you have received financial aid in the past, please email us for details on continuing.

COMEDY OF ERRORS

Shakespeare’s The Comedy of Errors is a fast-paced play about the mix-ups that happen when two sets of identical twins who were separated at birth end up in the same city without realizing it. This leads to all sorts of misunderstandings, mistaken identities, and utter chaos, until all is resolved in the happiest of happy endings!.

For grades 3 through 8 (in Fall 2025)

REHEARSALS
Saturdays from 1 pm to 3 pm
First rehearsal – Saturday, October 18
No rehearsal Thanksgiving weekend
Winter Break – December 27 and January 3
Retreat – Sunday, February 22 (extended afternoon rehearsal)
Techs (4:30 to 7:30 pm)-
Tuesday, March 3
Thursday, March 5
Tuesday, March 10
Thursday, March 12

PERFORMANCES
Saturday, March 14 at 2 pm
Sunday, March 15 at 2 pm

Saturday, March 21 at 2 pm
Sunday, March 22 at 2 pm


CYMBELINE

Can’t decide which is your favorite Shakespearean plot device? Try Cymbeline – it’s got them all! Overpowering parents and rebellious children; mistaken identities and secret marriages; exile and false accusations; long-lost siblings; potions, prophecies, and divine intervention; murder, war, poison … and another happy ending that ties up ALL the loose ends!

For grades 8 through 12 (in Fall 2025)

REHEARSALS
Saturdays from 3:30 pm to 5:30 pm
First rehearsal – Saturday, October 11
No rehearsal Thanksgiving weekend
Winter Break – December 27 and January 3
Retreat – Sunday, February 8 (extended afternoon rehearsal)
Techs (4:30 to 7:30 pm):
Wednesday, February 18
Friday, February 20
Monday, February 23
Wednesday, February 25

PERFORMANCES
Saturday, February 28 at 5 pm
Sunday, March 1 at 5 pm

Saturday, March 7 at 5 pm
Sunday, March 8 at 5 pm

Twelfth Night – Ren Week 2025

Twelfth Night – Ren Week 2025

Please join us for our Renaissance Week production of “Twelfth Night.”

Friday, August 1 at 6:00 pm
Saturday, August 2 at 2:00 pm

Performances will be held at Village Green

To get to the West Green, near 5461 Village Green, enter at Obama and Cloverdale, turn right, follow the interior road, park between Court 12 & 13, and then walk to the end of Court 12 and around the building at the end — we’ll be just on the other side. 

Bring blankets, chairs, food and drink — but please *don’t* bring your dogs–they aren’t allowed!

Please bring blankets and lawn chairs for seating! Free admission! Bring the whole family!!


WHAT IS RENAISSANCE WEEK?

We are delighted to present our 4th Annual Renaissance Week (aka “Ren Week”) production, inspired by a tradition at Staunton, Virginia’s American Shakespeare Center, where actors gather to explore a play according to the staging conditions in Shakespeare’s day. The following are some of the guiding principals of our process:

Natural Light 
Shakespeare’s actors rehearsed and performed outdoors, in daylight. This means that the actors can see the audience, making you an important part of the performance.

Short rehearsal periods 
Plays were generally mounted with just a few rehearsals; the actors would come to the first rehearsal already knowing their lines. Audiences loved coming to the early performances, knowing that the production was still being honed.

No directors 
Crafting the production was a collaborative effort, by a group of theatre artists who, like us, had worked together many times, and shared a history.

No designers 
Actors devised their own costumes from what was on-hand – back then, it was often discarded clothing from their supporting patrons!!

Taming of the Shrew – Ren Week 2025

Taming of the Shrew – Ren Week 2025

Please join us for our Renaissance Week production of “The Taming of the Shrew!”

Friday, July 25 at 6 pm
Village Green – 5300 Obama Blvd
(Follow directions to Village Green, enter at Obama and Cloverdale, turn right, follow the interior road, park between Court 12 & 13, and follow the signs directing you to our performance space)

Sunday, July 27 at 12:30 pm
Griffith Park – Independent Shakespeare stage
(Follow directions to the Old LA Zoo Picnic Area, and look for the signs directing you to our performance space)

Please bring blankets and lawn chairs for seating! Free admission! Bring the whole family!!

AND JOIN US NEXT WEEK FOR “TWELFTH NIGHT” – WATCH THIS SPACE FOR MORE INFO!!


WHAT IS RENAISSANCE WEEK?

We are delighted to present our 4th Annual Renaissance Week (aka “Ren Week”) production, inspired by a tradition at Staunton, Virginia’s American Shakespeare Center, where actors gather to explore a play according to the staging conditions in Shakespeare’s day. The following are some of the guiding principals of our process:

Natural Light 
Shakespeare’s actors rehearsed and performed outdoors, in daylight. This means that the actors can see the audience, making you an important part of the performance.

Short rehearsal periods 
Plays were generally mounted with just a few rehearsals; the actors would come to the first rehearsal already knowing their lines. Audiences loved coming to the early performances, knowing that the production was still being crafted.

No directors 
Crafting the production was a collaborative effort, by a group of theatre artists who, like us, had worked together many times, and shared a history.

No designers 
Actors devised their own costumes from what was on-hand – back then, it was often discarded clothing from their supporting patrons!!

Welcome to “As You Like It”

As You Like It is one of Shakespeare’s most produced plays. Written circa 1599, it was one of the first plays performed at the original Globe Theater in London. As the introspective Jacques quotes, “All the world’s a stage,” Elizabethan audiences would have imagined the floor boards as a playground with the power to transport actors to any land or time. Our production has a bit of old world eloquence and contemporary nuance. Shakespeare was well versed in gender-bending characters, and this is one of the main plot devices.  As the head strong heroine, Rosalind, captures our attention with intelligent speeches (the most lines of any female role in Shakepeare’s canon), courageous wit, and sarcastic humor, it becomes clear that she invites us into a world where shape shifting is key to survival. She may not seem like someone who falls in love at first sight, but we are delighted to accompany her journey in order to get what she wants and on her own terms.  With a cast of motley players, As You Like It remains a favorite of Shakepeare’s pastoral comedies. Equipped with clever disguises, budding romances, and dramatic twists, there is no doubt current day sitcoms have been influenced by this entertaining literary gem. 

Thank you for supporting live theater and our young players. 

Kila Packett and Esdras Toussaint

Our Players are taking on the challenge of telling this story. What can you do to support them? While you are in the performance space, please keep your phone off and give them your full attention. But before you turn your phone off, we encourage you click here to read a synopsis of the story.

DRAMATIS PERSONAE (in order of appearance)

Orlando … Celeste Berzer, 12
Adam, his old servant … Cassia Dillard, 10
Oliver, Orlando’s brother … Teddy Lukas, 13
Charles the Wrestler … Anchor Dillard, 8
Celia … Maribelle Martin, 11
Rosalind, her cousin … LydiaJane Dillard, 12
Touchstone, the court clown … Cassia Dillard, 10
Le Beau, the court gossip … Ela Horvitz, 10 
Duke Frederick, Celia’s father … Harrison Washburn, 11
Duke Senior, banished … Ace Rosenthal
Corin, a shepherd … Teddy Lukas, 13
Silvius, his son … Anchor Dillard, 8
Amiens, a musician … Arrow Hudson, 13
Jaques, a melancholy lord … Harrison Washburn, 11
Audrey, a goatherd … Ela Horvitz, 10
Phebe, a shepherdess … Arrow Hudson, 13
William, in love with Audrey … Teddy Lukas, 13

As You Like It Production Team

Kila Pickett … Director

Esdras Toussaint … Director

Sasha Santa Cruz … Stage Manager/Technical Director

Zoë O’Brien … Artistic Associate

Julia Walker Wyson … Artistic Director

Special Thanks to

Our parents, for their invaluable support to our Players

Marisa Miller, Valerie Washburn & Christina Dillard for keeping our cast fed during Tech rehearsals

Zeke and the staff of the Hudson Theatres – we feel so welcome in this space, and we deeply appreciate all your generous support!

Shakespeare Youth Festival

Julia Walker Wyson, Artistic Director
J. Bailey Burcham, Executive Director

Summer with SYF 2025

Summer with SYF 2025

Registration is now open for Summer with SYF 2025 – a fantastic way to introduce kids to Shakespeare!

Each session meets Monday through Friday, and culminates with a recital, sharing the work with parents, friends and the community.

We believe that every child who is drawn to this work should be able to participate, so once again this Summer, tuition will be Pay-What-You-Can. If you are able to pay something, your contribution will help us reach more children!

Register here

#SHAKESPEARE

#SHAKESPEARE

Our Summer Players will be immersed in the world of Shakespeare, where universal themes of love, ambition, and power continue to resonate deeply in our contemporary lives. We will be bridging the gap between the Bard’s timeless works and the modern experiences of our young Players. Together, we’ll discover how his characters and stories reflect their own struggles and triumphs. We’ll connect the past with the present, inspiring our Players to see themselves in the mirror of Shakespeare’s masterpieces. Join us to unlock the power of Shakespeare in shaping the next generation of thinkers, artists, and leaders.

ACTING EXPLORATIONS
Our explorations may include:

  • Romeo & Juliet
  • Much Ado about Nothing
  • Troilus & Cressida
  • Two Gentlemen of Verona
  • Midsummer Night’s Dream
  • and more!!

GRADES 2 through 8 (Fall 2025)

DATES
July 7 – 11
Monday through Friday – 10 am to 3 pm

COST
Pay what you can.
We believe that every child who is drawn to this work should be able to participate. If you are able to pay something, your contribution will help us reach more children!

This week is full – if you would like to be placed on the waiting list, please email us at speak@shakespeareyouthfestival.com.

Dragons and Serpents and Spells, Oh My!

Dragons and Serpents and Spells, Oh My!

Immerse Yourself in the Magic of Shakespeare and Fantasy This Summer!

Join us as we explore how the Bard’s timeless tales of magic, adventure, and romance have inspired generations of fantasy writers to create the magic of Percy Jackson, The Chronicles of Narnia and more. Our campers will delve into the rich connections between Shakespeare’s plays and the fantasy genre, fostering a deeper appreciation for both. Whether you’re a budding actor, writer, or simply a lover of fantasy and Shakespeare, this summer camp promises to be an adventure you’ll never forget!

ACTING EXPLORATIONS
Our plays may include:

  • Cymbeline
  • Midsummer Night’s Dream
  • Macbeth
  • The Tempest
  • The Winter’s Tale
  • Comedy of Errors
  • and many more!!

GRADES 2 through 8 (Fall 2025)

DATES
July 14 – 18
Monday through Friday – 10 am to 3 pm

COST
Pay what you can.
We believe that every child who is drawn to this work should be able to participate. If you are able to pay something, your contribution will help us reach more children!

This week is full – if you would like to be placed on the waiting list, please email us at speak@shakespeareyouthfestival.com.

Welcome to “Troilus and Cressida”

What is it about this play that cries out for a dystopian interpretation? Stick a group of humans in an untenable situation and watch as they desperately try to apply some sort of social order. The never-ending conflict between Trojan and Greek evokes countless literary and pop culture references—from Lord of the Flies to The Last of Us to Yellowjackets, and the list goes on. And who better to explore this than a group of teens – we love our dystopian fiction! 

Troilus and Cressida features a troubled world, with conflicting groups trapped in a stalemate, and classic mythological heroes who are altogether too human and flawed. The play doesn’t end with a perfect climax – we don’t get that satisfying catharsis where the good guys win and bad guys get what they deserve. We’re not even sure who the good guys and the bad guys are!

Sounds like a drag … but this rehearsal process has been anything but! The passion and creativity of our cast has transformed a seemingly bleak narrative into a shared experience of discovery and camaraderie. We’ve dug into the humor and relatability in the characters’ struggles, and bonded over the challenges of portraying flawed characters, empathizing with their motivations while also critiquing their actions. We hope that our production will make you feel, make you laugh, and make you think!

Our Players are taking on the challenge of telling this story. What can you do to support them? While you are in the performance space, please keep your phone off and give them your full attention. But before you turn your phone off, we encourage you to use the QR code to read a synopsis of the story.

DRAMATIS PERSONAE

Dramatis Personae

THE GREEK CAMP
Agamemnon, a general … Pia Inchaurregui, 14
Ulysses, a commander … Hannah Gumpert, 15
Nestor, a commander … Atlas Taylor, 14
Diomedes, a commander … Ondine Taylor, 14
Menelaus, a commander … Kairo Pontell, 14
Achilles, a warrior … Dash Kirkley, 13
Patrocles, his best friend … Rowan Kemmerer, 13
Ajax, a warrior … Pierra Rozen-Nowac, 15
Thersites, his servant … Simon Manfredi, 12
Calchas, A Trojan defector … Hannah Love Jones, 14

THE TROJAN CAMP
Hector, Prince of Troy … David E. Landaverde-Chavez, 14
Troilus, Prince of Troy … Alexander Gumpert, 13
Paris, Prince of Troy … Hannah Love Jones, 14
Priam, King of Troy … Ondine Taylor, 14
Cassandra, their sister … Pierra Rozen-Nowac, 15
Cressida, daughter of Calchas … Veronica Sefrioui, 14
Alexandra, her friend … Rowan Kemmerer, 13
Pandarus, her uncle … Kairo Pontell, 14
Aeneas, a commander … Katya Pontell, 16
Andromache, wife to Hector … Hannah Love Jones, 14
Helen, the reason … Katya Pontell, 16
Antenor, a commander … Rowan Kemmerer, 13

Troilus and Cressida Production Team

Julia Wyson … Director
Anja Racić … Assistant Director
Alessandra Mañon … Assistant Director
Sasha Santa Cruz … Stage Manager/Technical Director
Ace Rosenthal … Assistant Stage Manager
Jesse Waldman … Dramaturg
Julia Eschenasy … Artistic Associate
Katya Pontell … Costume Design & Construction
Kairo Pontell … Costume Design & Construction
Zissy Rozen-Nowac … Cassandra Dress

Special Thanks to

Julie Gumpert, Jennie Kemmerer, Ashley Pontell, and Francesca Runza for keeping our Players fed during Techs
Zeke and the staff of the Hudson Theatres – we feel so welcome in this space, and we deeply appreciate all your generous support!

Shakespeare Youth Festival

Julia Walker Wyson, Artistic Director
J. Bailey Burcham, Executive Director

Shakespeare Youth Festival LA 2025

Shakespeare Youth Festival LA 2025

We are excited to announce our new season – three plays, to be presented in March of 2025, at the beautiful Hudson Theatre Backstage (6539 Santa Monica Blvd, Los Angeles, CA 90038). The Box Office is now open – reserve your tickets today!

TWO GENTLEMEN OF VERONA

Meet Proteus and Valentine in the OG “bro-mantic comedy.”

Saturday, March 8 at 2 pm
Sunday, March 9 at 2 pm

Saturday, March 15 at 2 pm
Sunday, March 16 at 2 pm

TROILUS AND CRESSIDA

Set against the backdrop of post-apocalyptic LA, it’s the anti-Romeo & Juliet

Saturday, March 22 at 5 pm
Sunday, March 23 at 5 pm

Saturday, March 29 at 5 pm
Sunday, March 30 at 5 pm

AS YOU LIKE IT

Cross-dressing women, a professional “fool,” and mass weddings galore.

Saturday, March 22 at 1 pm
Sunday, March 23 at 1 pm

Saturday, March 29 at 1 pm
Sunday, March 30 at 1 pm


As You Like It – Synopsis

Orlando, the youngest son of the recently-deceased Sir Roland de Boys, is treated harshly by his eldest brother, Oliver. Bitter and angry, Orlando challenges the court wrestler, Charles, to a fight. When Oliver learns of the fight, Oliver tells Charles to injure Orlando if possible.

Duke Frederick has recently deposed his brother, Duke Senior, as head of the court. But he allowed Senior’s daughter, Rosalind, to remain, and she and Celia, the new Duke’s daughter, watch the wrestling competition. During the match, Rosalind falls in love with Orlando, who beats Charles. Rosalind gives Orlando a chain to wear; in turn, he is overcome with love.  

Shortly after, Orlando is warned of his brother’s plot against him and seeks refuge in the Forest of Arden. At the same time, and seemingly without cause, Duke Frederick banishes Rosalind. She decides to seek shelter in the Forest of Arden with Celia. They both disguise themselves: Rosalind as the young man Ganymede and Celia as his shepherdess sister Aliena. Touchstone, the court fool, also goes with them. 

In the Forest of Arden, the weary cousins happen upon Silvius, a lovesick shepherd. Silvius was in the act of declaring his feelings for Phoebe, a scornful shepherdess. Ganymede buys the lease to the property of an old shepherd who needs someone to manage his estate. Ganymede and Aliena set up home in the forest. Not far away, and unaware of the newcomers, Duke Senior is living a simple outdoor life with his fellow exiled courtiers and huntsmen. Their merriment is interrupted by the arrival of Orlando, who seeks nourishment for himself and his servant. The two men are welcomed by the outlaw courtiers.

Ganymede and Aliena find verses addressed to Rosalind hung on the forest branches by Orlando. Ganymede finds Orlando and proposes to cure Orlando of his love. To do this, Orlando will woo Ganymede as if he were Rosalind (even though “he” really is . . . Rosalind). Orlando consents and visits Ganymede/Rosalind every day for his lessons. In the meantime, the shepherdess Phoebe has fallen for Ganymede while the shepherd Silvius still pursues her.  Furthermore, Touchstone, the court fool, has dazzled a country girl, Audrey, with his courtly manners. Audrey deserts her young suitor, William, for him.

When Duke Frederick hears Orlando disappeared at the same time as Rosalind and Celia, he orders Oliver to the forest to seek his brother. In the forest, Orlando saves Oliver’s life, injuring his arm in the process. Oliver runs into Ganymede and Aliena in the forest and relates this news. Rosalind (disguised as Ganymede) is overcome with her feelings for Orlando. Celia (disguised as Aliena) and Oliver quickly fall in love with one another. Rosalind decides that it is time to end her game with Orlando and devises a plan in which everyone will get married. 

As Ganymede, Rosalind promises Phoebe that they will marry, Celia will marry Oliver, Touchstone will marry Audrey, and Orlando will marry Rosalind. She makes Phoebe promise that if they, for some reason, don’t get married, Phoebe will marry Silvius instead. 

On the day of the wedding, and with the help of the god Hymen, Rosalind reappears in her female clothes. Duke Senior gives her away to Orlando, while Phoebe accepts Silvius. Orlando’s other older brother returns from college with the news that Celia’s father, Duke Frederick, has left court to become a hermit. Thus, everyone is happy (except maybe Phoebe, who marries someone she doesn’t love and Silvius, who marries someone who doesn’t love him). The play ends with a joyful dance to celebrate the four marriages.