A WINTER’S TALE

A WINTER’S TALE

pursued-by-a-bearOne of our favorites, this play swings from Sicily to Bohemia, and from tragedy to comedy, and contains one of the most famous stage directions in literature – “Exit, pursued by a bear.”

The characters include Kings and Queens, Shepherds and Shepherdesses, Clowns and Pickpockets … and the Oracle of Delphi!

For Grades 6 through 12

Rehearsals: Tuesdays from 4 to 6 pm
Beginning January 12th
Additional weekend rehearsals will be scheduled in late March and April

Performances: Saturday and Sunday
April 16 & 17 and April 23 & 24
Saturdays – 4:00 pm

Tuition – $675.00
Financial Aid is available – click here for more information.

Lyric Theater – 520 N. La Brea

THIS CLASS IS CLOSED. IF YOU’D LIKE TO BE PLACED ON THE WAITING LIST, PLEASE EMAIL US

 

THE TEMPEST

THE TEMPEST

the_tempestAn island, a deposed member of the nobility, an exiled princess, a sprite, and a monster.  What happens  when a pack of “villains” land on the island, and the opportunity for revenge arises? A Winter’s Tale contains betrayal and oppression, forgiveness and freedom, drama, music, humor, adventure and magic.

Prerequisite: Participation in a prior class or workshop with us, or permission from the directors.

For Grades 2 through 7

Rehearsals: Mondays from 4 to 6 pm
Beginning January 11th
Additional weekend rehearsals will be scheduled in late March and April

Performances: Friday and Saturday
April 23 & 24
April 30 & May 1
1:00 pm

Lyric Theater – 520 N. La Brea

THIS CLASS IS CLOSED. IF YOU’D LIKE TO BE PLACED ON THE WAITING LIST, PLEASE EMAIL US

 

Alex Kingston: A Master Class for Young Actors

alex-meme-2$100.00/person
Ages: 7th through 12th grade
All proceeds go directly to the support of
Shakespeare in the City, a free arts program for youth.

REGISTER TODAY – Space limited to 22 people

IN DEPTH:

Alex Kingston (Doctor Who, E.R., Royal Shakespeare Company member) will work directly with you on:

  • Exploring and amplifying your artistic choices without compromising truthfulness (i.e. reaching the second balcony in a large house, with honesty and truth)
  • “Demystifying” often misunderstood principles of acting, such as pursuing an objective, playing an action, moment-to-moment spontaneity inside the structure of a tightly staged play.
  • Creating rituals for preparation prior to performance.
  • Enhancing your understanding of Shakespeare’s work through scansion, rhythm – the subtextual differences between prose and verse – and what it means for you, the actor.

She will also talk with you about her experiences working in in Britain and in America, in a variety of mediums, touching on topics like:

  • Playing with Gender Bending in Shakespeare – and beyond.
  • Your Questions Answered – What is an actor’s life?

ABOUT ALEX KINGSTON

Alex Kingston, who won critical acclaim in the title role of the PBS miniseries “Moll Flanders,” joined television’s top-rated, “ER” during its fourth season, as the spirited surgeon ‘Dr. Elizabeth Corday.’ She also reprised her role on “ER” along with the rest of the original cast, for the final episodes of the series.

Kingston was recently seen starring in the UK series “Chasing Shadows”, “Upstairs Downstairs” on the BBC, “Marchlands” on ITV, “Hope Springs,” on BBC One,” the ITV mini-series “Lost in Austen,” and as River Song in the highly successful British series “Dr. Who.” She will next be seen in the independent film “Bukowski” for director James Franco. She currently can be seen recurring on “Arrow” for the CW.

This past year, she starred opposite Sir Kenneth Branagh in the critically-acclaimed Manchester and NY production of “Macbeth”. Other recent credits include the West End production of “One Flew Over the Cuckoo’s Nest” playing the role of ‘Nurse Ratched’ opposite Christian Slater and in the films “Sweetland” opposite Alan Cummings, in “Alpha Dog” starting Justin Timberlake and “Like Crazy” starring Felicity Jones and directed by Drake Doremus. She also recurred on “Flash Foward” for ABC and “Law & Order SVU” for NBC.

Previously she was seen in the UK and America in the lead role in the Box TV and PBS drama film “Boudica.” Kingston played the great 15th century gladiator queen “Boudica.”

Growing up on the outskirts of London, Kingston was first introduced to the theatre when she and her family visited her mother’s native Germany; where she saw her uncle, an actor, perform. She made her own stage debut at age five, playing the Angel Gabriel in the Nativity play. “My mother made me these big, beautiful wings,” remembers Kingston, “and the other kids – without wings – were all jealous. I was very excited, and then a bit upset when I discovered that Gabriel was really a guy.”

Kingston was inspired to pursue an acting career by her English teacher at the all-girls grammar school she attended in Epsom, where she often had leading roles in school plays. She landed her first professional role at age 15 as a judo-chopping bully on the successful British series, “Grange Hill.”

After finishing school, she moved to London, where she was accepted into the Royal Academy of Dramatic Arts. After completing the two-year program of study, Kingston worked in repertory theatre across England. She joined the famed Royal Shakespeare Company, where she appeared in productions of “Much Ado About Nothing,” “King Lear,” “Love’s Labours Lost,” “The Curse of the Starving Class” and “The Bright and Bold Design.” She also starred in the Birmingham Repertory’s productions of “Othello,” “The Alchemist,” “Traveling Players,” “Saved,” “Julius Caesar” and “See How They Run.”

While Kingston tended to play classical characters on the stage, she took on contemporary roles in British television programs, including “A Killing Exchange,” “The Bill,” “Crocodile Shoes,” “The Knock” and “I Hate Christmas,” and in the American cable movies “Weapons of Mass Distraction” and “The Infiltrator.”

Her feature film credits include the critically-acclaimed “Croupier,” “Carrington,” “The St. Exupery Story,” “The Cook, The Thief, His Wife and Her Lover,” “Curran’s Wife,” “The Wildcats of St. Trinians,” “A Pin for the Butterfly” and “The Woman and the Wolf.” Kingston made a cameo appearance in the independent film “This Space Between Us” and starred in the British pop-culture film “Essex Boys,” for which she played a double-crossing girlfriend of an underground drug criminal.
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To register, please fill in the form below:

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Shakespeare Intensive

Shakespeare Intensive

summerWe are pleased to announce our 2015 Summer Shakespeare Intensive. Students will spend their days discovering Shakespeare through the best tools and techniques theater has to offer. The LADC technique begins with the improvisational work of Viola Spolin and Agosto Boal, and expands on that to include a variety of physical and vocal disciplines – with the ultimate purpose always to invoke the creative spirit that exists in every child.

During the Summer Intensive, our Players will work on a variety of scenes and sonnets, culminating in recitals to which family and friends are invited. We will discover the world of Shakespeare’s Elizabethan England, learn about costume and set design through hands-on art projects, and enjoy visits from Los Angeles theater professionals. Students will also have the opportunity to attend various local Shakespeare productions.

Each week will end with a recital, held Friday afternoon at 3 pm.

Monday through Friday – 9 am to 3 pm
Week One – July 27 – 31
Week Two – August 3 – 7

$325.00 per week
Financial Aid is available, based on need. Click here for more information.

Grade 2 through Grade 9 (Fall 2015)

Tuition: $325 
Scholarships are available – click here for the application form and guidelines.

Register Today

Queen Elinor’s School of Knighthood and Chivalry

Queen Elinor’s School of Knighthood and Chivalry

knightsaroundthetableAncient Chivalric codes of conduct shaped modern manners and the global treatment of humanity. The practice of chivalric principles are based in service, integrity and courage.

L.A. Drama Club’s mission is to keep these practices alive by involving our youth in an immersion course in Modern Knighthood. They’ll light up their minds and souls, through storytelling, exploring their ancestry, creating a Family Crest, and participating in a service activity to better our community. They’ll enliven their brains and bodies, as our Knights-in-Training get away fromarchery electronics and onto our hillsides for nature-themed hikes, and archery. They’ll learn fencing for the stage, and begin and end the day with deep yoga practice.

The School of Knighthood is an ongoing movement of youth in service. Once in, you are knighted for life.

Monday through Friday – 9 am to 3 pm
Week One – June 22 – 26

$400.00 per week
(includes fees for Field Trips)
Financial Aid is available, based on need. Click here for more information.

Grade 2 through Grade 6 (Fall 2015)

Tuition: $400
Scholarships are available – click here for the application form and guidelines.

Register Today

Ten-Minute Play Festival

Ten-Minute Play Festival

playwrightTHE PLAYS THE THING!

WRITE/DIRECT YOUR TEN MINUTE PLAY & PERFORM IN OTHER PLAYS.

The program consists of rigorous, exciting storytelling and playwriting sessions throughout the day, creating short plays out of improvisations with prompts, autobiographical moments, and stories the group creates together. We will also discuss the art, craft and business of playwriting.

The week will end with a presentation of all the plays, held Friday afternoon at 2 pm.

Monday through Friday – 9 am to 3 pm
June 15 – 19

$325.00 per week
Financial Aid is available, based on need. Click here for more information.

Grade 7 and up (Fall 2015)

Tuition: $325 
Scholarships are available – click here for the application form and guidelines.

Register Today

Summer with the Los Angeles Drama Club

Summer with the Los Angeles Drama Club

summer-2012LADC is pleased to offer three programs this year – our 7th Annual Summer Shakespeare IntensiveQueen Elinor’s School of Knighthood and Chivalry, and our new Ten-Minute Play Festival. Our programs are designed for students entering Grade 2 – Grade 11 in Fall 2015. For some activities, the participants are divided according to age, and for others, they will work together as a group. In some group activities, the older participants will serve as mentors to the younger; the younger students learn by example, and the older gain valuable leadership experience.

June 15 – 19 – Ten-Minute Play Festival (entering Grade 7 and above)
June 22 – 26 – Queen Elinor’s School of Knighthood and Chivalry (entering Grade 2 through Grade 6)
July 27 – 31 – Shakespeare Intensive (entering Grade 2 through Grade 8)
August 3 – 7 – Shakespeare Intensive (entering Grade 2 through Grade 8)

All classes are held at The Lyric Theatre, at 520 N. La Brea Ave. Each week will offer unique content, and those who choose to do multiple weeks will have the opportunity to build on their experiences of the prior weeks.

Looking for Shakespeare in the City – please click here!

Scholarships are available – click here for the application form and guidelines.

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SYFLA – Fall 2014

SYFLA – Fall 2014

This Fall marked our first original production – “Outspoken” was inspired by Blaire’s trip to London, and our Players’ fascination with the stories she brought back about The Clink, London’s notorious prison. We imagined what might happen if several of Shakespeare’s most idealistic and rebellious characters were thrown in The Clink for speaking truth to power.

Our oldest Players transplanted “Twelfth Night” to Crystal Cove, a remote beach community circa 1962. Surfer music, Hawaiian shirts and lots of palm fronds added to the fun.

Our Shakespeare in the City Players explored the most iconoclastic people of Shakespeare’s Canon – characters who break the mold, speak up to the Power, smash their own stereotype, explode old paradigms, and climb an uphill trail of courage, creativity and… controversy.

 

SYFLA – Spring 2014

SYFLA – Spring 2014

The 2014 SYFLA season opened with our SITC Players’ production of The Tempest. The cast inhabited every corner of Fais Do Do for this production, keeping the audience on their toes. Several of our SITC troupe members now have multiple productions under their belts – they tackled the major roles, and were joined by a dozen new members of our World of Shakespeare introductory class, playing Ariel’s unruly fairies and sprites.

Our LADC veterans wrestled a big Dragon this season. Without a doubt, Richard III makes Macbeth look like a saint. We divided the role of Richard into two parts – the external, charismatic climber and the internal, tormented ruler. As the play progressed, the second Richard took over, culminating in the famous monologue where, in our production, Richard literally argued with himself over his identity and whether he deserved to continue.

We also presented a 1930’s Two Gentlemen of Verona. With tongue planted firmly in cheek, the show opened in a nightclub while a torch singer crooned “What’s cute about a little cutie; it’s her beauty, not brains,” and the entire cast tap danced to “Keep Young and Beautiful.” Establishing those societal expectations gave our young post-feminists (and our audience) insight into why Julia & Proteus might have behaved as they did.

Our youngest Players performed a rollicking Midsummer Night’s Dream. The Runaways navigated the twists and turns of their journey with a skill far beyond their years, and Oberon and Titania introduced their argument with a lyrical dance. The Mechanicals were double-cast as a pack of cranky, misbehaving Fairies, and the audience was delighted by the sense of fun and play they brought to the story.